Holding TIFF accountable: environmental justice and beyond

Jess Blackwell –

For many filmmakers, the highlight of the Toronto Inter­national Film Festival (TIFF) is its five-day industry confer­ence featuring numerous panels and mixers. But my experience wasn’t so positive. As an envi­ronmentalist, I was disappoint­ed by TIFF’s unpreparedness to address sustainability concerns.

While collecting my ID badge, I spoke to four represent­atives, but none knew whether there was a water refill station or an organics bin at its two indus­try locations, the Hyatt Regency and the Canadian Broadcast­ing Centre (CBC). And no one I spoke to knew how TIFF was promoting sustainability and re­ducing its carbon footprint.

I discovered that the CBC had a water refill station, but dele­gates weren’t notified of this. When I asked TIFF staff at the Hyatt to direct me to a recycling bin, I was told that only gar­bage cans were available. And through the festival’s partner­ship with the Italian coffee com­pany Lavazza, single-use cups were abundant.

As a filmmaker, I also en­dured registration and sched­uling problems, poor customer service, unimpressive panels and crowded mixers. Guests were prohibited from bringing outside food and drink into the CBC, with bag checks being conducted. Because few foods were provided for those with dietary restrictions, the events were not fully inclusive or ac­cessible.

After learning from other del­egates that these are recurring issues, a colleague and I headed to the Industry Centre to give feedback in person. But no one knew whom to contact. A float­er volunteer sent us to the infor­mation table, the information table sent us to the registration office, and the registration office sent us to the press office. There, a staff member instructed us to email TIFF.

TIFF states that it is commit­ted to fostering “an environment of constructive and respectful dialogue.” But after following up repeatedly by email, we were told that the team is “incredibly small” and doesn’t “have the bandwidth to connect with each delegate 1-on-1.” The represent­ative asked me to send my com­ments and questions by email, but I still have not received a reply to my queries, nor has the press office responded. After seven weeks of following up, I received word that a senior manager would be in touch to schedule a conversation.

This isn’t the first time the festival, which receives a third of its funding from government sources, has been called out re­garding its commitment to so­cial and environmental justice.

In 2023, more than 200 indus­try members, including Holly­wood celebrities, launched an open letter encouraging TIFF to reconsider its relationship with the Royal Bank of Canada (RBC), one of the world’s lead­ing financiers of fossil fuels. This movement, called RBC Off Screen, aims to bring TIFF’s actions in line with its report­ed social commitments and the progressive values of the film­making community. Given that pollution and climate change disproportionately affect racial­ized communities and other marginalized populations, envi­ronmental justice is also social justice. RBC Off Screen’s con­cerns remain unaddressed, and its open letter remains active.

Employee reviews on Glass­door.com hint at a behind-the-scenes turmoil that might explain TIFF’s questionable customer service: With an over­all rating of 2.7 out of 5, only 21 percent of reviewers would recommend the company to a friend, with some employees complaining of a toxic work en­vironment and lack of effective direction from management.

But a Canadian Business ar­ticle released earlier this year highlights a deeper issue: TIFF’s general lack of accountability. “The organization holds the en­tire film industry so tightly in its grasp that it can’t be held to account,” it says.

Fortunately, some festivals hold themselves to higher stand­ards. Toronto’s 2024 Reelworld Film Festival + Summit provid­ed a better example of account­ability in action.

The summit’s commitment to sustainability was evident: re­usable mugs, glasses, dishware, utensils and napkins were pro­vided, and a recycling bin (but not an organics bin) was visible in the dining area. The food served was more inclusive, with ample vegetarian and vegan op­tions on the first day and some options on the second. Reel­world staff were ever-present and responsive to questions.

Communications director Pahull Bains responded to my initial queries within 24 hours and confirmed that Reelworld actively minimizes its use of single-use cups, bottles and cutlery. It reuses its press wall banners and doesn’t use printed materials at events.

While subsequent replies were a bit slower, the Reelworld Sum­mit was nevertheless a glimpse of what a more sustainable and accountable festival could look like. It is my hope that with fur­ther encouragement from the community, TIFF will adopt similar practices.

Concerned TIFF patrons can contact customerrelations@ tiff.net, while film industry members can support RBC Off Screen at www.actionnetwork. org/groups/rbc-off-screen